Great advice for writers!
Yesterday, we discussed the often confused Man verses Self by using the movie Flight. All good Men versus Self stories still have an outside antagonist that generates the story problem in need of resolution by Act III. No outside antagonist? No story problem? Then the novel quickly devolves into pages of navel-gazing.
Literary Fiction Doesn’t Give us a Pass from Plotting
Look to all the top literary fiction and all of them have an outside antagonist that generates tension, conflict and change. The only difference in literary fiction is that the character arc usually takes a higher precedence than the plot arc.
The plot and story problems are there, but they’re purpose is to force internal change.
In Brave New World, protagonist Bernard Marx doesn’t fit the mold he was engineered to fill. The society around him lacks meaning and he travels to the reservations (of…
View original post 918 more words